Bulletin: RollerTrol™ Automation Systems is Launched!
- We have been busy making and selling roller blinds and projector screens for some time, and we have decided to start selling the components at
RollerTrol.com so others can do the same.
- Take a look at our online store for tubular motors and other associated products - make your own custom shade or screen size
that fits your room perfectly! We also have special motor kits that work with x10 automation systems.
- While you're at it, check out our tubular motors with built-in radio controllers. When used with our multi-channel remotes, you can control the screen AND blackout blinds with a single remote!
End Bulletin: RollerTrol™ Automation Systems
If you have
been following the saga of my quest for a dream home
theater system,
you'll know that in the first HDTV review
article, we covered a lot of the definitions and terminology
used in the HDTV home theatre field, as well as some interesting
announcements from the CES 2004 show in Las Vegas
in the second article. This
article is about my remote control findings.
It
seems that we all suffer from the YADR (Yet Another
Dang Remote) problem, so I've decided to dedicate the
third article to this problem. I'm still waiting to see the new crop of
DLP and LCoS projectors before I make my HDTV big screen decision;
hopefully, that will be next.
The process of finding a universal remote that met all my requirements
turned out to be a complicated challenge, and I'm sure many of you have
already run into the limitations of many remote control units out on the
shelves.
Here is my list of desired features my ultimate remote should have:
-must be easy to use and program
-must have good signal range
-must provide single button access to main functions (TV, DVD,
VCR, etc.)
-must provide single button action to turn all components on/off
-push buttons to be tactile, backlit at night, and labels easy to
read
-remote control body must be comfortable with ergonomic placement
of buttons
-has to be able to learn any other remote IR (InfraRed)
signals
-has to have X10 capability for controlling lights, drapes,
fireplace, etc.
I didn't think that was a very stringent list of features, probably no more than
anyone else might desire - but, I was surprised at how hard it was to
find a remote unit that could satisfy all the criteria. I tried
remotes from Harmony, Sony, RCA, etc. and some were close, but none of
them did what I really needed.
I tried units with LCD and electroluminescent touch screens, but many
were hard to see and provided no tactile feedback - not being able to
feel the buttons means you always have to look at it. If you have as
many pairs of reading glasses scattered strategically around the room as
we do, you'll also understand why it's nice to be able to read large
lettering for the labels when you do need to look at it. I also found
that many had a very convoluted setup procedure, which can waste away
many hours if you have even an average home theatre system.
I'm trying to provide a 'one button' solution to score high in the WAF (Wife
Approval Factor), and it was interesting to find that many
remotes simply cannot do this. If the desired command involved switching audio and
video inputs and assigning 'punch through' capabilities (using the tuner
in your VCR to watch TV on your screen), it was way beyond the
capabilities of many of these units. The ability to assign macros to a
button became one of the most important requirements for one button
operation (a macro is just a series of control steps, programmed in
sequence).
Some remotes had a much more limited range, which meant I always had to
aim the control directly at the component being activated. If the coffee
table or some other obstruction interrupted the line of sight, it meant
I had to shift positions to activate functions (not great if I'm in
couch potato mode). This weakness can also cause de-synchronization of
the system, if not all the components can "see" a global command,
such as "all power on" and "all power off". The WAF
rating falls dramatically when this occurs.
And, if I found one that just about did what I wanted, I would then
discover that it couldn't learn all the codes from the remotes of some
of my components. It turns out there are some remotes that are much
better than others in this area, mostly to do with frequency range and
bit waveform capabilities.
So I spent a frustrating week testing numerous units, finding some that
were better than others, but none that quite fit the bill. If you are
going to do this, make sure you keep your receipts and find out what the
return policy is; I had a credit card statement about a mile long!
Finally, I tried the MX-500 from Universal Remote Control, Inc. in New
York and, bingo, it did it all. It was easy to configure, easy to
see under all lighting conditions (without reading glasses, fully
backlit in the dark), and
comfortable to hold with buttons placed exactly where you expect them
(the LCD labels are also programmable). I
was able to assign "one button" access to my various media
activities, switching video and audio inputs, as well as single button power up/power down.
It has no problem understanding that you want to use your VCR tuner when
you watch regular TV (i.e. "punch through" capability), and that the Sony digital receiver needs to be
switched to the "TV" input. It learned
every single code that was beamed at it, even the difficult ones that
caused other remotes to turn a blind eye. The IR beam had excellent
reach and I didn't even have to aim it for the commands to get through.
I send signals from it to the x10 IR
Command Console, which converts IR signals into
the X10 power line protocol, allowing me to control 16 different devices in my
home, including the ability to activate and dim my home theatre room
lighting, turn the fireplace on, etc. When you load the 183 x10 code
matrix from the AUX code table, the remote defaults to device 1 on
whatever house code the x10 IR unit is set to. Various buttons are
assigned as "dim" (volume) and "on/off" (channel). You just
enter the device number on the keypad to select different devices to
control. Please see the rest of this
website for more x10 information.
The entire home theatre environment can be set up with a macro for one button operation.
A typical scenario might be drapes closing, lights on with 75% dim, gas
fireplace on, all home theater components on, motorized projector
screen deployed, popcorn machine on ... now that's what I call
remote control!
Author's Note: I later upgraded to the MX-800; it is the same as the MX-500, but uses RF (Radio Frequencies)
to augment the IR system. This means you never have to point it at your
equipment, and you can actually walk around the house controlling things
through walls. Truly the ultimate!
This was a happy ending to a long, complicated journey through the land
of remote controls - I highly recommend this unit; it will save you lots
of time and frustration!
* * * * *
Stay tuned as we add to this article series - more to come soon. (The
projector decision was made, see the next article)
For the sake of clarity, here are some acronym and terminology definitions relating to
the various display technologies, used in the other table below to compare the
various screen types:
TERM |
DEFINITION |
TLA |
Three Letter
Acronym |
HDTV |
High Definition
Television. The highest quality video picture
available in Digital TV. In the U.S., the 1080i and 720p
resolution formats in a 16:9 aspect ratio are the two acceptable
HDTV formats. Regular NTSC analog TV is 480i. |
HTPC |
Home Theater
Personal Computer. The use of a PC as a processing
and source control platform for a home theater system. |
RPTV |
Rear Projection
TV. The type of home theater screen system where the image
is projected onto the back of the screen. Can be DLP, LCD, CRT
projection technology. |
Lumens |
An ANSI Lumen is
a measurement of light radiation or brightness. A 3,000 Lumen
projector creates a brighter picture than a 2,000 Lumen unit. The ANSI
prefix is a standards designation (American National
Standards Institute). |
Nits |
Plasma and LCD
manufacturers use this term to define the brightness of their
screens. Another term for Nits is Candelas per square meter (Cd/m2).
One nit = 0.2919 foot-lambert. Nits includes an area definition,
unlike lumens, so you can't simply divide by Watts to establish a
Nits/watt spec. |
480i 720p
1080p |
resolution
measurement in lines, p for "progressive
scan", i for "interlaced scan".
Conventional TV (e.g. 480i) is interlaced whereby the screen is
scanned twice by alternate lines that are interleaved
(interlaced), whereas HDTV (e.g. 720p) can scan all lines
sequentially (consecutively or progressively). |
DVI HDCP |
Digital Visual
Interface technology with High-bandwidth Digital
Content Protection. Developed by Intel Corporation,
HDCP is a specification to protect digital entertainment content
through the DVI interface. The HDCP specification provides a
transparent method for transmitting and receiving digital
entertainment content to DVI-compliant digital displays. Some
products, such as set-top boxes and DVD burners will require this
connector. Even if you have a HDTV set-top box, if it lacks the
DVI, your signal may be degraded. |
HDMI |
High Definition
Multimedia Interface. Like DVI, HDMI is another
digital interface, and from what we saw at CES 2005, it may become
the universal standard. Developed by Sony, Hitachi, Thomson (RCA),
Philips, Matsushita (Panasonic), Toshiba and Silicon Image, the
High-Definition Multimedia Interface (HDMI) has emerged as the
connection standard for HDTV and the consumer electronics market.
HDMI is the first digital interface to combine uncompressed
high-definition video, multi-channel audio and intelligent format
and command data in a single digital interface. |
SACD |
Super Audio
CD uses a new recording technology called Direct Stream
Digital. DSD records a one bit digital signal at a
sample rate of 2.8 million times per second, 64 times higher than
conventional CD's.
|
NTSC |
Existing color
TV standard developed in the U.S. in 1953 by the National Television
System Committee. NTSC vertical line resolution is
525 lines/frame and the vertical frequency is 60Hz. The NTSC frame
rate is 29.97 frames/sec.
|
CRT |
Cathode Ray
Tube - venerable old style picture tube |
PDP |
Plasma Display
Panel, plasma is a physics term for an electrically charged
gas |
LCD |
Liquid Crystal
Display, same as laptop screens |
TFT |
Thin Film
Technology, a type of LCD |
DLP |
Digital Light
Processor, a reflective light switch chip developed by TI.
Has a very fast response time - no motion lag |
TI |
Texas Instruments
Corp., original manufacturer of DMD's and DLP's |
DMD |
Digital Micro-mirror
Device - chip for DLP technology by TI |
DNIe |
Digital Natural
Image enhancement - chip for optimizing video
picture quality, by Samsung (used in their DLP units) |
LCoS |
Liquid Crystal
on Silicon, reflective light switch |
SXRD
projection |
Silicon X-tal Reflective Display:
Sony's incarnation of LCoS technology. Sharp picture, no pixelation, very high resolution, reflective
system won't burn out picture element, "no moving parts"
design usually incorporates 3 imaging chips for primary colors,
instead of color wheel. |
SED |
Surface conduction
Electron emitter Display by Toshiba/Canon |
FED |
Field Emission
Display: New technology from Sony |
OLED |
Organic Light
Emitting Diode display: new technology from Seiko-Epson |
D-iLA |
Direct
Drive Image Light Amplifier, LCoS chip
developed by JVC |
QXGA |
high screen
resolution of 2048 x 1536, attained by D-iLA chip |
DCDi |
Directional
Correlation Deinterlacing (a de-interlacing
method to eliminate jagged edges (jaggies) along diagonal lines
caused by interpolation, developed by Faroudja corp. An
important feature to look for, this Emmy® award
winning technology was once only available in products costing
$20,000 or more, and is now available in numerous products costing
well below $2,000 |
aspect ratio |
ratio of screen
width to height. An aspect ratio of 4:3 is conventional TV and
16:9 is HDTV (and film) |
3-2 pulldown |
a method of
film-to-video conversion |
twitter and
judder |
terms describing
film conversion related artifacts |
anamorphic
lens |
a special lens
that compresses the pixels of a 4:3 screen into a 16:9 format, and
allows a projector to use the full brightness of the display,
without black bars above and below the image. Must normally be
removed for regular 4:3 viewing. |
SDE |
Screen Door
Effect is a term used to refer to the visible pixel
structure on a screen. |
YADR! |
Yet Another
Dang Remote! A common exclamation heard from people
who just bought their third or fourth home audio/video component.
And then there are further unmentionable expletives when you find
out a component isn't supported, or it's just too complicated to
program everything in?? Maybe it's time to read about our experience in the remote
control review article. |
The following table provides a quick comparison of the display types;
"pixelation" refers to the ability to see individual picture elements
(pixels) at normal viewing distances (note that all the types below can
contribute to the YADR index). Please note that these products are being
constantly improved and not all manufacturer's models may be subject to
the disadvantages listed below:
DISPLAY
TYPE |
PRO
- ADVANTAGE |
CON
- DISADVANTAGE |
CRT
conventional
picture tube |
Cathode Ray
Tube: very
sharp and bright, high contrast ratio, good picture view from
side, low cost, handles regular analog NTSC channels well, no
moving parts |
heavy
and bulky, limited in size to about 36", picture can fade |
CRT
projection
|
low
cost, large screens possible, no moving parts |
heavy
and bulky, limited viewing angles, visible raster lines, mis-convergence
can be a problem, picture can fade over time |
LCD flat
screen panel |
Liquid Crystal
Display: bright,
sharp picture, light and compact, can hang on wall, solid state,
no moving parts |
picture can fade over time |
LCD
projection |
fairly
bright, large screens possible, sharp picture, no moving parts |
display can fade due to heat damage to
organic compounds that some manufacturers use in the LCD,
projector bulb can fail |
PDP Plasma
flat screen panel |
Plasma Display
Panel: bright
picture, light and compact, can hang on wall, wide viewing angle,
no moving parts, handles fast motion really well |
expensive,
some pixelation, display can burn out. |
DLP
projection |
Digital Light
Processor: bright,
sharp picture, high contrast, no pixelation, reflective
system won't burn out picture element, very fast response time -
no motion lag. |
possible visual "rainbow" artifacts on single chip versions
caused by spinning color wheel, projector
bulb can fail |
LCoS
projection |
Liquid Crystal
on Silicon: bright,
sharp picture, no pixelation, very high resolution, reflective
system won't burn out picture element, "no moving parts"
design usually incorporates 3 imaging chips for primary colors,
instead of color wheel. |
projector bulb can
fail |
SXRD
projection |
Silicon X-tal Reflective Display:
Sony's incarnation of LCoS technology. Sharp picture, no pixelation, very high resolution, reflective
system won't burn out picture element, "no moving parts"
design usually incorporates 3 imaging chips for primary colors,
instead of color wheel. |
projector bulb can
fail |
SED
panel display |
Surface conduction Electron emitter Display:
very bright
picture, very high resolution, can hang on wall, very high
contrast ratio, can be viewed from any angle,
no moving parts, handles fast motion really well |
expensive at
first, not available yet |
FED
panel display |
Field Emission
Display: New technology from Sony, properties are similar
to SED |
expensive at
first, not available yet |
OLED
panel display |
Organic Light
Emitting Diode display: new technology from Seiko-Epson |
expensive at
first, not available yet |
|